This book offers the first full length study on the pervasive archetype of The Gothic Forest in Western culture. Parker examines the historical and pervasive idea of the forest as deep, dark, and dangerous, exploring why we fear the forest and how exactly these fears manifest in our stories.. In Parker’s analysis, the gothic forest is anything but a ‘passive, inanimate, objectified’ version of nature (93). For example, Parker observes that when the trees in gothic tales become sentient, aware of human presence, they either seek to destroy human life or merge with it directly.
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Explore the Dark Forest Aesthetic with a mystical guide to fashion, decor, colors, and nature-inspired style for a moody, enchanting look.. So, ultimately the forest can be full of gothic terrors in quite a few different ways. Certainly a lot of these fears of forests taking their revenge are linked to anxieties around how we treat trees and the natural world – about deforestation, the destruction of rainforests, climate change. We treat trees as objects but we know they’re not.